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Showing posts with label Soundtrack. Show all posts
Showing posts with label Soundtrack. Show all posts

Prepare to Be Seduced by the "Gainsbourg" Soundtrack

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Trailers & Video Coming to Theaters In Theaters New on DVD Trailers by Genre Trailers by Decade Movie Mix Tape Prepare to Be Seduced by the "Gainsbourg" Soundtrack Posted by Nina Hämmerling Smith on Sep 6 2011 Gainsbourg soundtrack, Gainsbourg: A Heroic Life Nina Hämmerling Smith Nina Hämmerling Smith full bio of Nina Hämmerling Smith If you've never heard Serge Gainsbourg's music, you may still have heard of the man, whose oversize persona made him a polarizing pop figure. Gainsbourg was widely worshiped for his innovative, provocative songs but also reviled (and envied) for his antics and very public sex life.

But whatever else you can say of him, his music was a profoundly influential product of its age -- Paris in the '60s -- that still somehow sounds modern. He's one of those icons whom icons-in-the-making revere. Gainsbourg's musicality and orchestration were lush, his lyrics complex. He dipped in and out of many genres, mixing classical, jazz, and rock with ease.

French comic book artist Joann Sfar's love letter Gainsbourg: A Heroic Life features a soundtrack full of Gainsbourg's best compositions, including "Initials B.B.," "Harley Davidson," "Baby Pop," "Comic Strip," "Love on the Beat," and "La Javanaise." Most of these are performed by the movie's stars, who cleave close to the originals; the actors not only look the part, they sound it. Eric Elmosnino captures the seductive quality to Gainsbourg's voice, and Laetitia Casta's breathy Brigitte Bardot is full on sex-kitten ("Bonnie and Clyde").

Only a few songs in the movie are Gainsbourg's original versions, notably "Je T'Aime Mois Non Plus" (recorded with his lover and musical collaborator Jane Birkin, and featuring her "aural orgasm" -- if you're listening to this at work, you may want to put on some headphones). A handful of non-cast covers bring a fresh perspective to the songs and help reinforce just how modern they are (French surreal-rock band Dionysos' hard-driving "Nazi Rock" is a standout). And it's fitting that some of his songs are only alluded to with orchestral scoring, since he himself made copious references to classical works, like Dvor?ák's "From the New World" symphony in "Initials B.B."

Whether or not you love the man (or the movie), you'll fall for the music, which will ultimately outlast both.

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What the Right Soundtrack Does for a Movie Like "The Help"

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Trailers & Video Coming to Theaters In Theaters New on DVD Trailers by Genre Trailers by Decade Movie Mix Tape What the Right Soundtrack Does for a Movie Like "The Help" Posted by Nina Hämmerling Smith on Aug 9 2011 What the Right Soundtrack Does for a Movie Like Nina Hämmerling Smith Nina Hämmerling Smith full bio of Nina Hämmerling Smith Any period-piece movie runs the risk of sounding tone-deaf to the nuances of the times. Add to the mix a controversial or emotionally laden theme and the result can be decidedly off-key. But the right music doesn't just set the tone for the movie; it can add the weight of history and emotional authenticity. 

Such is the case in The Help, the new movie about a young white would-be author in early-'60s Mississippi and the African-American maids whose stories she wants to tell.

Based on the bestselling novel by Kathryn Stockett, the movie stars Emma Stone (Easy A, Zombieland) as Skeeter, an ambitious college grad whose mother just wants her to find a nice man and settle down; Viola Davis (Doubt, Traffic) as Aibileen, the long-suffering maid who raises countless white children but has a crisis of identity after losing her own son; and Octavia Spencer (Seven Pounds, Ugly Betty) as the irrepressible maid Minny, whose tongue gets her in trouble with her employers.

It's about a moment that represented a crossroads for both race relations and political activism in the U.S. Music, of course, played a vital role in that struggle, both as nostalgia and as an agent for change.

The soundtrack for The Help tells the story in song, with choices that represent the disparate currents of the time. Here's the full track listing: 

1. "The Living Proof," Mary J. Blige
2. "Jackson," Johnny Cash and June Carter
3. "Sherry," Frankie Valli & The Four Seasons
4. "I Ain't Never," Webb Pierce
5. "Victory Is Mine," Dorothy Norwood
6. "Road Runner," Bo Diddley
7. "Hallelujah I Love Her So," Ray Charles
8. "The Wah-Watusi," The Orlons
9. "Personality," Lloyd Price
10. "Don't Think Twice, It's All Right," Bob Dylan
11. "Let's Twist Again," Chubby Checker
12. "Don't Knock," Mavis Staples
 
Other than the theme by Mary J. Blige (who has said that she was inspired by her aunt, "one of those women," when writing "The Living Proof" for the movie) and the legendary Mavis Staples' "Don't Knock" (which came out in 2010), all of the songs are time capsules from the era.

There's the late-'50s honky-tonk of Webb Pierce's "I Ain't Never" alongside dance crazes ("The Wah-Watusi" and "Let's Twist Again"). There's inspirational gospel ("Victory Is Mine," in addition to Staples' "Don't Knock") and country royalty ("Jackson," by Johnny Cash and June Carter). Bo Diddley, who is often credited with making the shift from blues to rock & roll, and soul legend Ray Charles are both featured, along with "Mr. Personality" Lloyd Price. And of course "Don't Think Twice, It's All Right," by Bob Dylan, whose songs famously fomented social upheaval.

Just as the different threads of American culture butted heads, overlapped and ultimately inextricably wove together, so did the music of the time. As do the songs on the soundtrack for The Help.
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Burlesque - Original Motion Picture Soundtrack

Burlesque - Original Motion Picture SoundtrackBurlesque, the soundtrack to the Sony Pictures film Burlesque, starring Christina Aguilera and Cher. The highly anticipated soundtrack features new recordings performed and co-written by five time Grammy winner Christina Aguilera, with production by Tricky Stewart, Linda Perry and Ron Fair and songwriting by Claude Kelly, Tricky Stewart and Sia. The soundtrack also features two brand new tracks performed by the legendary Cher, including "You Haven't Seen The Last Of Me", a powerful Diane Warren penned ballad which was produced by Matt Serletic. This marks Cher's first new original song in seven years as well as her first movie musical. The soundtrack also includes remakes / covers of classic songs such as Etta James' "Something's Got A Hold On Me" and "Tough Lover" and Mae West's "A Guy What Takes His Time" all performed by Christina Aguilera.

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